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How can I master my project. This is one of the questions i see asked all the time. The best answer is a convoluted affaire that ive covered before. 

So here we are im putting together beat tape vol2 (Out April 30th 2018 FYI). And i just though id share my process of "mastering" these little projects. 10 beats knocked up over 11 weeks, its not a money project if i were to spend £250 (or more) on getting it professionally mastered there would be no up side no benefit. 

How to Make a Drum and Bass Reese in ES2 Logic pro tutorial

The Smart Module of frei:raum.

With the intelligent smart:EQ+ plug-in, audio tracks take on distinct personalities. The special thing about it? The perfect mix is ready within 30 seconds.

"Fire Strings" is a collaboration between Paris Sampling and Alliance Divergent Audio Group. “Fire Strings” is the ultimate cinematic hybrid tension instrument featuring a collection of tonal, aleatoric and rhythmic content performed by electric violin and guitar captured via high end analogue gear (Neve, API, Universal Audio, Manley, etc) put through sound design processes and housed in a bespoke hybrid interface.

So here we looked to tackle the question of the best way to bounce in logic pro x. Now il come clean i went into this think it was going to be a bunch of.... And to be fair i'm still undecided. But there is without question a difference when you think about what settings are best to export with in logic pro x. 

As you will see or have seen in the video there is a difference between the best settings for a bounce down but where this falls apart slightly is that I (while in some half decent headphones too) could exactly tell one as being objectively better from the other. 

Its the eternal mixing and music production struggle. The kick and the bass war with each other, fighting for space and supremacy. But you must mediate a truce between these to waring factions. Because together they can work together to build a strong stable foundation to support!

Well the rest of the mix really.... 

its quite a simple premise and there are a bunch of ways to tackle it, Find out  how EQ can help carving out a little balance of the two is an essential part, determining where the two conflict and adjusting accordingly depends both on notation and frequency content. Hope this little how to Balance Kick And Bass Using EQ and Multiband Compression helps you.

Here are a couple of simple little tricks you can apply in logic pro to get the drums in your track to really smack harder.